Drawing and Recording by Lens-Based Media

The camera sees everything we put ont. - David Hockney\n\nA photograph is stable because it has stopped date. A draught is static but it encompasses time. - buns Berger\n\nPeople feature been potation since the dawn of gentlemans gentlemanity, as evidence in early hollow potations and wall frescos. The development of composing had a major repair on the way that move was recorded and distributed. In 1826, the maneuver of the camera had a unfathomed effect on the world, providing a new way of save information. In this essay, I impart discuss and compare the acts of transcription through drawing - the human eye - and cameras - the mechanical eye, drawing on images from stoppages of time since the early cameras of the nineteenth century. Specifically, I have chosen three periods that advert to human conflicts; the Crimean War, the Vietnam War and the fresh contend in Iraq. by means of these three periods I entrust explore the developments in technology, and in p rocesses and philosophy of the acts of arrangement, both by drawing and by lense based media.\nWe begin our discussion in the 1850s, when for the outgrowth time we can compare the acts of recording by drawing and photography The Crimean war artist, William Simpson was respected as take the reality of war to the British people. He went to the Crimean war and; he reported faithfully, sometimes disapprovingly on what he saw He favourite(a) accuracy to drama, spirit to transport (Lipscomb, 1999) His famous painting The trip of the Light Brigade (figure 1) was doubtless a sustained study, bringing together a number of sketches of the event to provide a full image for the viewer.\nConversely, Crimean war photographer Rogar Fenton never captured battles, explosions, and the filiation and tears that is a sorrowful image of war The first practical photographic method, daguerreotype, had a process too tedious to capture a locomote image; it needed to counseling for a longer pe riod on an unmoving object. still Michell...